COSMICART GALLERYInternational prints and selected sculptures. Explore by artist and discover the story of each piece.
Prices in USD. Unless otherwise stated, listed prices exclude framing and shipping. These costs will be detailed in each quotation. Prices in other currencies are settled at the payment platform’s exchange rate.
A colorful figurative composition that brings presence and character to your space. A period interpretative linocut published by Cercle d’Art in 1962 after the 1959 work. Sheet: 33 × 39 cm. Unsigned and unnumbered. The existing frame is included.
Movement and Spanish tradition in a distinctive composition. Period interpretative linocut, Cercle d’Art edition of 1962 after the 1959 work. Sheet: 39 × 33 cm. Unsigned and unnumbered. Existing frame included.
Color and freedom of form in a horizontal format. A 1956 lithograph for Derrière le Miroir 93–94, published by Maeght and printed by Mourlot. Sheet: 38 × 56 cm. Unsigned and unnumbered. Features the central fold characteristic of this edition.
An intimate piece that opens a window onto Miró’s graphic world. A 1956 etching for Derrière le Miroir 93–94, published by Maeght. Editorial version printed from the scratched plate. Sheet: 29 × 25 cm; image: 12 × 9 cm. Unsigned and unnumbered.
The painter, his models and the Eiffel Tower: an invitation to live with Chagall’s imagined Paris. Lithograph published in Verve 27–28, comprising two sheets presented together. Combined format: 38.5 × 56.8 cm. Unsigned and unnumbered.
Nature and romance for a statement wall. A color lithograph from Daphnis et Chloé, published by Tériade in 1961. Format: 42 × 64.2 cm.
Literature and surrealism in an intimate format. A color wood engraving after Salvador Dalí’s watercolors for the French edition of The Divine Comedy, Les Heures Claires, 1959–1963. Paradise, canto 26. Sheet: 33 × 26 cm; image: 24.5 × 17.5 cm.
A composition that reveals Dalí’s imagination through Dante. Color wood engraving after his watercolors for the French edition of The Divine Comedy, Les Heures Claires, 1959–1963. Paradise, canto 11. Sheet: 33 × 26 cm.
A Pop Art icon for contemporary spaces. Complete portfolio of ten Sunday B. Morning screenprints after Andy Warhol’s images. Each sheet measures 89 × 58 cm and is not signed by the artist. Enquire about the complete set; individual-sheet sales are confirmed separately.
Color and popular culture meet in an emblematic image. Complete portfolio of ten Sunday B. Morning screenprints after Andy Warhol’s images. Sheets: 90 × 90 cm, unsigned by the artist and unnumbered. Enquire about the set; individual sales are confirmed separately.
Parisian elegance for libraries, bedrooms and intimate spaces. A 1956 lithograph with remarque on Imperial Japan paper, printed by Dominique Viglino. Format: 32.5 × 41 cm. Edition of 50 copies, unnumbered.
The decorative vocabulary of Art Nouveau for a space full of detail. Plate 31 from Documents décoratifs, 1902, published and printed by Émile Lévy. Lithograph on wove paper, 46 × 33 cm, unsigned and unnumbered.
A piece from Documents décoratifs that opens a window onto Mucha’s design language. Plate 34, a 1902 lithograph on paper, 46 × 33 cm. Unsigned.
