COSMICART GALLERY
Ornament, nature and Art Nouveau.
Born in Moravia, Alphonse Mucha arrived in Paris in 1887 and became a defining figure of Art Nouveau. His poster for Sarah Bernhardt’s Gismonda established a distinctive language of tall formats, flowing lines, pastel colors and decorative halos. He later devoted many years to the monumental Slav Epic. Their work and legacy can be explored at Mucha Foundation Art Museum · Prague.
Explore selected artworksMucha turned the poster into an artistic experience. His curves, floral motifs and enveloping compositions still shape our idea of Art Nouveau. A choice for those who find beauty in the dialogue between figure, nature and ornament.
A glimpse of their visual language. These reference works are not offered for sale by us.
1894
Explore the work (opens in a new tab)Alphonse Mucha, Poster for Gismonda, 1894. Image via Wikimedia Commons / Art Renewal Center.
1896
Explore the work (opens in a new tab)Alphonse Mucha, The Seasons: Summer, 1896. Image via Wikimedia Commons / Art Renewal Center.
Find your connection with Alphonse Mucha.
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The decorative vocabulary of Art Nouveau for a space full of detail. Plate 31 from Documents décoratifs, 1902, published and printed by Émile Lévy. Lithograph on wove paper, 46 × 33 cm, unsigned and unnumbered.
A piece from Documents décoratifs that opens a window onto Mucha’s design language. Plate 34, a 1902 lithograph on paper, 46 × 33 cm. Unsigned.
